{"id":4587,"identifier":"FK2/IXXBEO","persistentUrl":"https://doi.org/10.34820/FK2/IXXBEO","protocol":"doi","authority":"10.34820","publisher":"Telkom University Dataverse","publicationDate":"2022-03-24","storageIdentifier":"file://10.34820/FK2/IXXBEO","datasetVersion":{"id":87,"datasetId":4587,"datasetPersistentId":"doi:10.34820/FK2/IXXBEO","storageIdentifier":"file://10.34820/FK2/IXXBEO","versionNumber":1,"versionMinorNumber":0,"versionState":"RELEASED","lastUpdateTime":"2022-03-24T11:20:24Z","releaseTime":"2022-03-24T11:20:24Z","createTime":"2022-03-24T11:18:58Z","license":"CC0","termsOfUse":"CC0 Waiver","fileAccessRequest":false,"metadataBlocks":{"citation":{"displayName":"Citation Metadata","fields":[{"typeName":"title","multiple":false,"typeClass":"primitive","value":"Hibridisasi budaya: studi kasus dua drama korea tahun 2018-2020"},{"typeName":"author","multiple":true,"typeClass":"compound","value":[{"authorName":{"typeName":"authorName","multiple":false,"typeClass":"primitive","value":"Dyah Ayu Wiwid Sintowoko"},"authorAffiliation":{"typeName":"authorAffiliation","multiple":false,"typeClass":"primitive","value":"Universitas Telkom, Aesthetics Culture and Humanities"},"authorIdentifierScheme":{"typeName":"authorIdentifierScheme","multiple":false,"typeClass":"controlledVocabulary","value":"ORCID"},"authorIdentifier":{"typeName":"authorIdentifier","multiple":false,"typeClass":"primitive","value":"0000-0003-4702-8409"}}]},{"typeName":"datasetContact","multiple":true,"typeClass":"compound","value":[{"datasetContactName":{"typeName":"datasetContactName","multiple":false,"typeClass":"primitive","value":"Dyah Ayu Wiwid Sintowoko"},"datasetContactAffiliation":{"typeName":"datasetContactAffiliation","multiple":false,"typeClass":"primitive","value":"Universitas Telkom, Aesthetics Culture and Humanities"},"datasetContactEmail":{"typeName":"datasetContactEmail","multiple":false,"typeClass":"primitive","value":"dyahayuws@telkomuniversity.ac.id"}}]},{"typeName":"dsDescription","multiple":true,"typeClass":"compound","value":[{"dsDescriptionValue":{"typeName":"dsDescriptionValue","multiple":false,"typeClass":"primitive","value":"Kajian tentang hibridisasi budaya Korea dalam konten drama masih diperdebatkan hingga sekarang oleh\nbeberapa peneliti terdahulu. Penelitian ini bertujuan untuk mengetahui bentuk hibridisasi budaya Korea\nmelalui drama The World of the Married dan Touch Your Heart dengan pendekatan teori visual lavish\nproduction. Penelitian ini menggunakan metode kualitatif dan teori lavish production untuk menemukan\nkesan mewah pada visual drama Korea. Karakteristik lavish production pada visual drama juga dianalisis\nmelalui mise-en-scene untuk mengidentifikasi hibridisasi budaya Korea. Hibridisasi budaya dan kesan lavish\nproduction di dalam drama Korea tercermin melalui mise-en-ecene. Hibridisasi juga merupakan dampak\ndari diadaptasinya slogan Learning from Hollywood oleh sineas Korea. Adapun konsep drama trendy\nKorea merupakan adaptasi strategi dari Jepang untuk memunculkan kesan Asian taste. Hasil penelitian\nmenunjukkan bahwa: (1) lavish production mengacu pada classy mise-en-scene dimana setting, properti,\nnarasi dan gesture karakter sangat merepresentasikan perubahan teknis standar industri drama Korea menjadi\ncinematic orientation; (2) hibridisasi tampak pada kostum, gesture, dan beauty standart ala Western style\nyang didukung dengan narasi adaptasi trendy drama dari Jepang. Romantisme, non-sex dominant dan eyecontact merepresentasikan Asian sentiment karena cenderung menggunakan pendekatan estetika olah rasa;\ndan (3) konsep hibridisasi akan mengalami perkembangan bukan hanya di ranah budaya saja, namun juga\npada produk budaya itu sendiri karena adanya persaingan global dan eksistensi Western media mainstream\ndi Asia."},"dsDescriptionDate":{"typeName":"dsDescriptionDate","multiple":false,"typeClass":"primitive","value":"2021-09-15"}}]},{"typeName":"subject","multiple":true,"typeClass":"controlledVocabulary","value":["Arts and Humanities"]},{"typeName":"keyword","multiple":true,"typeClass":"compound","value":[{"keywordValue":{"typeName":"keywordValue","multiple":false,"typeClass":"primitive","value":"Asian taste; cinematic orientation; drama Korea; hibridisasi budaya; lavish production"}}]},{"typeName":"publication","multiple":true,"typeClass":"compound","value":[{"publicationCitation":{"typeName":"publicationCitation","multiple":false,"typeClass":"primitive","value":"ProTV"},"publicationIDType":{"typeName":"publicationIDType","multiple":false,"typeClass":"controlledVocabulary","value":"issn"},"publicationIDNumber":{"typeName":"publicationIDNumber","multiple":false,"typeClass":"primitive","value":"2549-0087"},"publicationURL":{"typeName":"publicationURL","multiple":false,"typeClass":"primitive","value":"http://journal.unpad.ac.id/protvf/article/view/31687/16323"}}]},{"typeName":"depositor","multiple":false,"typeClass":"primitive","value":"Dyah Ayu Wiwid Sintowoko"},{"typeName":"dateOfDeposit","multiple":false,"typeClass":"primitive","value":"2022-03-24"}]}},"files":[{"label":"31687-126244-3-PB.pdf","restricted":false,"version":1,"datasetVersionId":87,"dataFile":{"id":4588,"persistentId":"doi:10.34820/FK2/IXXBEO/GP5XM9","pidURL":"https://doi.org/10.34820/FK2/IXXBEO/GP5XM9","filename":"31687-126244-3-PB.pdf","contentType":"application/pdf","filesize":703929,"storageIdentifier":"file://17fbba34e55-4606d50803b6","rootDataFileId":-1,"md5":"af6f482f838fc8fd5c47a5dbafaeabe5","checksum":{"type":"MD5","value":"af6f482f838fc8fd5c47a5dbafaeabe5"},"creationDate":"2022-03-24"}}],"citation":"Dyah Ayu Wiwid Sintowoko, 2022, \"Hibridisasi budaya: studi kasus dua drama korea tahun 2018-2020\", https://doi.org/10.34820/FK2/IXXBEO, Telkom University Dataverse, V1"}}