<?xml version='1.0' encoding='UTF-8'?><metadata xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns="http://dublincore.org/documents/dcmi-terms/"><dcterms:title>The Flow of Characterization Works in Wayang Comics through 1950's era, 1980's era and 1980's era</dcterms:title><dcterms:identifier>https://doi.org/10.34820/FK2/8ZYZEK</dcterms:identifier><dcterms:creator>Krisna Aditya, Dimas</dcterms:creator><dcterms:publisher>Telkom University Dataverse</dcterms:publisher><dcterms:issued>2022-03-29</dcterms:issued><dcterms:modified>2022-03-28T20:06:34Z</dcterms:modified><dcterms:description>Diagaram alur yang menunjukan bagaimana pola pengembangan krakterisasi komik wayang dari masa 1950-an, 1980-an dan 2010-an.</dcterms:description><dcterms:subject>Arts and Humanities</dcterms:subject><dcterms:subject>Wayang, Komik Wayang</dcterms:subject><dcterms:isReferencedBy>Koesoemadinata, M. I. P., &amp; Aditya, D. K. (2016). Visualazations of Wayang Characters In Comics (Case Study: Bima and Arjuna Characters in The Arts of Ardisoma, Teguh Santosa and Is Yuniarto). Bandung Creative Movement (BCM), 3(1), issn, 24608866</dcterms:isReferencedBy><dcterms:contributor>Krisna Aditya, Dimas</dcterms:contributor><dcterms:contributor>Koesoemadinata, M. Isa P.</dcterms:contributor><dcterms:dateSubmitted>2022-03-29</dcterms:dateSubmitted><dcterms:license>CC0</dcterms:license><dcterms:rights>CC0 Waiver</dcterms:rights></metadata>